Performance artist, writer, professor
Daniel Alexander Jones
Daniel Alexander Jones exemplifies the artist as energy worker. Daniel’s wildflower body of original work includes plays, performance pieces, recorded music, concerts, music theatre events, essays, and long-form improvisations. Energy is his true medium and provides the current for his formal fluency. Jones creates multi-dimensional experiences where the bodies, minds, emotions, voices, and spirits conjoin, shimmer, and heal.
PEN America named Daniel the 2021 Laura Pels Foundation Awardee in Theatre.
Jones’s critically-acclaimed pieces include Black Light (Public Theater, Greenwich House Theatre); Duat (Soho Rep); An Integrator’s Manual (La MaMa, etc. and Fusebox Festival); Bright Now Beyond (Salvage Vanguard Theatre); and Radiate (Soho Rep and National Tour). Jones has recorded five albums of original songs as his alter-ego, Jomama Jones. Daniel is enlivened by collaborative process and maintains a fierce tribe of artist-collaborators. His roots reach deep into Black American and Queer Theatre and Performance traditions; Jones is recognized as a key voice in the development of Theatrical Jazz and has made a significant contribution to Black Experimental Theatre and Performance.
Jones explores ideas of the Afromystical (awakening awareness of the numinous in the everyday through ritualized performance) in all his work. He has also been a pioneer in the exploration and articulation of identities and experiences that move beyond caging binaries and transcend limited civic, cultural, and political imaginings. Moved by silenced histories of sovereignty and agency, and emboldened by acts of survival and transcendence, Jones creates his own distinctive dramaturgy. For over twenty-five years of professional practice, Jones has demonstrated an unwavering commitment to the rigorous work of civic healing through vulnerable presence, truth telling, and collective critical engagement with possibility.
Jones directed world-premieres of new plays and performance pieces by E. Patrick Johnson, Erik Ehn, Renita Martin, and Shay Youngblood, among others. He is a company member of Penumbra Theatre Company in St. Paul; an associate company member of Pillsbury House Theatre in Minneapolis; an alumnus of New Dramatists, and was a company member of Frontera@Hyde Park Theatre in Austin.
Jones is a 2019 Guggenheim Fellow, a 2019 recipient of the Helen Merrill Playwriting Award. He was awarded a Doris Duke Artist Award, an Alpert Award in the Arts, a USA Artist Fellowship, an Arts Matters grant, an inaugural Creative Capital Grant, a McKnight National Residency and Commission, a Howard Foundation Fellowship, a NEA/TCG Playwriting Residency, a Jerome Fellowship, and a Many Voices Playwriting Fellowship. Jones was lead artist on five projects awarded support by the MAP Fund. Daniel has been a Mellon Creative Research Fellow at the University of Washington, a Hume Fellow at Occidental College, was a Fellow at the Hemispheric Institute at NYU, and has been in residence at a number of colleges and universities across the country including most recently, Reed College and Hampshire College. Jones received a Bistro Award for Outstanding Performance Artistry for Jomama Jones in 2019, and a Franky Award from the Prelude Festival in recognition of long-term, extraordinary impact on contemporary theatre and performance.
Daniel Alexander Jones did his undergraduate study at Vassar College in Africana Studies with a focus on literature and the arts, and graduate study at Brown University in Theatre. He is a widely respected, innovative educator, who has taught across the United States, and held faculty positions at Goddard College, The University of Texas at Austin, and Fordham University, where he is currently an Associate Professor of Theatre.
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